Waldorf Attack User Manual

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Summary of Contents

Page 1 - User Manual

User ManualAttackD-PolePPG Wave 2.V

Page 2

Waldorf Edition User Manual 10 Waldorf Playing the Attack Live If you notice considerable latency times (delay) when you play the Attack via MIDI, t

Page 3 - Installation under Windows

Waldorf Edition User Manual 11 Waldorf  Recall Sound restores the sound to its original saved settings. Use this function if you’re not happy wit

Page 4 - Installation under Mac OS X

Waldorf Edition User Manual 12 Waldorf 12. Channel 16 is reserved for controlling both delays with controllers. As an ad-dendum to this m

Page 5

Waldorf Edition User Manual 13 Waldorf Polyphony of the Attack The Attack has up to 64 voices. The number of available voices depends on available

Page 6

Waldorf Edition User Manual 14 Waldorf Key Combinations  If you hold down the [Strg] key (on the PC) or [Command] key (on a Mac compu-ter) when yo

Page 7 - Content Attack

Waldorf Edition User Manual 15 Waldorf The User Interface of the Attack The user interface of the Attack is split into useful segments for easy acc

Page 8 - Using the Attack

Waldorf Edition User Manual 16 Waldorf  Triangle selects the triangular waveform. The triangle mainly consists of odd harmonics with very low mag

Page 9

Waldorf Edition User Manual 17 Waldorf w Pitch Env is one of the most important parameters in drum programming be-cause it simulates the character

Page 10 - Functions of the Edit Menu

Waldorf Edition User Manual 18 Waldorf The overall modulation applied to FM is calculated as the sum of both the FM Env and FM Vel parameters. There

Page 11 - MIDI Functions

Waldorf Edition User Manual 19 Waldorf Rmod (Ring Modulation) 0%...100% Volume of the ring modulation between Oscillators 1 and 2. From a technica

Page 12

Waldorf Edition User Manual 2 Waldorf Waldorf Music will not be liable for any erroneous information contained in this manual. The cont

Page 13 - The Controls

Waldorf Edition User Manual 20 Waldorf and the frequencies above are called the stop band range. The Attack´s filter dam-pens frequencies in the sto

Page 14 - Key Combinations

Waldorf Edition User Manual 21 Waldorf  12 dB Hi Pass Filter. This type is useful to thin out a sound’s bass fre-quencies. This may also give in

Page 15 - Oscillator Section

Waldorf Edition User Manual 22 Waldorf Resonance 0%...100% Controls the emphasis of the frequencies around the cutoff point (exept the EQ filter ty

Page 16

Waldorf Edition User Manual 23 Waldorf  1/2. Bars to 1/64. syncs the triangle waveform of the LFO to dotted note values.  1/1t Bars to 1/64t

Page 17

Waldorf Edition User Manual 24 Waldorf higher velocities. This gives an aypical character suitable for effect sounds. The ma-ximum volume is always

Page 18 - Mixer Section

Waldorf Edition User Manual 25 Waldorf Sync Syncs the delay time to the tempo of the host application (assuming that it is capable of sending neede

Page 19 - Filter Section

Waldorf Edition User Manual 26 Waldorf Envelopes The envelopes create a control signal that varies with time. They are used, for example, to

Page 20 - Type (Filter Types)

Waldorf Edition User Manual 27 Waldorf Programming Drum Sounds To understand how to create drum sounds, you should know a little about how the clas

Page 21 - Cutoff 11.56 Hz...18794 Hz

Waldorf Edition User Manual 28 Waldorf Simmons SDS-5 Bass Drum The Simmons SDS-5 bass drum consists of an oscillator and a noise generator, both rou

Page 22 - Drive 0 dB...54 dB

Waldorf Edition User Manual 29 Waldorf Roland TR-909 Snare Drum The TR-909 Snare Drum was made with two oscillators and two filters for noise. The

Page 23 - Amplifier Section

Waldorf Edition User Manual 3 Waldorf Installation of the Waldorf Edition System Requirements for Windows In order to be able to use the Waldorf Ed

Page 24 - Delay Effect Sections

Waldorf Edition User Manual 30 Waldorf harmonics. How Roland did it is something only they and maybe a handful of people know. If you h

Page 25

Waldorf Edition User Manual 31 Waldorf The simplest method is to use the built-in samples of the Attack. However, those are provided just in case y

Page 26 - Envelopes

Waldorf Edition User Manual 32 Waldorf Shakers and Maracas Both are made with noise, either unfiltered or used to frequency modulate Oscillator 1 in

Page 27 - Programming Drum Sounds

Waldorf Edition User Manual 33 Waldorf Osc 1 PEnv Select 16 76 Filter Mod Depth 45 105 Osc 1 FM 17 77 Output 46 106 Osc 1 FM Env 18 78 Amp Volume 4

Page 28 - Roland TR-808 Snare Drum

Waldorf Edition User Manual 34 Waldorf PPG Wave 2.V Wavetable Synthesizer Introduction Thank you for your purchase of the Waldorf PPG Wav

Page 29 - TR-808 Side Stick

Waldorf Edition User Manual 35 Waldorf nobody really wants to use this “feature”. There are many more factors, that are responsible

Page 30 - Hi-hats

Waldorf Edition User Manual 36 Waldorf Content PPG Wave 2.V Introduction ... 34 Using the PPG

Page 31 - Cymbals

Waldorf Edition User Manual 37 Waldorf Using the PPG Wave 2.V  If you click on the keys of the built-in keyboard, you will hear the corresponding

Page 32 - MIDI Controller List

Waldorf Edition User Manual 38 Waldorf  Select the desired Sound Program by clicking on a menu entry. Storing Banks and Programs In the PPG Wav

Page 33

Waldorf Edition User Manual 39 Waldorf An edited and the original sound can at any time be compared with the Compare function (CMPR).  If

Page 34 - Introduction

Waldorf Edition User Manual 4 Waldorf System Requirements for Mac OS X In order to be able to use the Waldorf Edition, you will need at least:  Ma

Page 35

Waldorf Edition User Manual 40 Waldorf RemoteSL Control Page 1 PPG Wave 2.V Parameter Encoder 1 WAVETABLE Encoder 2 WAVES-OSC Encoder 3 WAVES-SUB En

Page 36 - Content PPG Wave 2.V

Waldorf Edition User Manual 41 Waldorf RemoteSL Control Page 2 PPG Wave 2.V Parameter Encoder 1 TOUCH>MOD Encoder 2 TOUCH>WAVES Encoder 3 KEY

Page 37 - Using the PPG Wave 2.V

Waldorf Edition User Manual 42 Waldorf RemoteSL Control Page 3 PPG Wave 2.V Parameter Encoder 1 KEYB MODE Encoder 2 ARP ACTIVE Encoder 3 ARP MODE En

Page 38 - Storing Banks and Programs

Waldorf Edition User Manual 43 Waldorf The User Interface Panel By and large, the PPG Wave 2.V user interface panel corresponds to that of the ori

Page 39

Waldorf Edition User Manual 44 Waldorf  Buttons: A mouse click on a button activates a function. The DIGI button can for instance be used to open

Page 40

Waldorf Edition User Manual 45 Waldorf The Program Menu In the PPG Wave 2.V, you can simultaneously create up to eight different sounds. This

Page 41

Waldorf Edition User Manual 46 Waldorf The Analog User Interface The analog user interface offers direct access to the dials on the PPG Wave 2.V. Th

Page 42 - PPG Wave 2.V Polyphony

Waldorf Edition User Manual 47 Waldorf (MODWHEEL). If it is fully turned down, no modulation takes place. Same as on the original PPG Wave synth, t

Page 43 - The User Interface Panel

Waldorf Edition User Manual 48 Waldorf The PPG Wave 2.V has two ADSR and one AD Envelope with positive or negative deflection, which can also be edi

Page 44 - Hiding the Keyboard

Waldorf Edition User Manual 49 Waldorf If ENV3>OSC or ENV3>SUB in the TUNE menu are active, Envelope 3 modulates the pitch of the cor

Page 45 - The Program Menu

Waldorf Edition User Manual 5 Waldorf Activation of the Waldorf Edition The Waldorf Edition uses a copy protection system based on the users email

Page 46 - The Analog User Interface

Waldorf Edition User Manual 50 Waldorf Waves-Oscillator (WAVES-OSC) 0...63 Waves-Oscillator controls the starting point of the Wavetable

Page 47

Waldorf Edition User Manual 51 Waldorf that the Envelope intensity can only use the positive deflection form, same as on the original PPG Wave. ENV

Page 48 - A,D, ATT each 0...63

Waldorf Edition User Manual 52 Waldorf can e.g. use this function to assign different effects or EQ settings to Sounds in Pro-gram mode. DIGITAL Men

Page 49 - Modifiers

Waldorf Edition User Manual 53 Waldorf  OFF switches the Sub oscillator off. The Wave oscillator will sound twice as loud to compensate for the d

Page 50 - Modifiers Control

Waldorf Edition User Manual 54 Waldorf BEND>WAVES ON, OFF This parameter lets you use Pitch Bend to perform a Wave scan. As Pitch Bend nor-mall

Page 51 - OUT 3-4

Waldorf Edition User Manual 55 Waldorf ARP MODE UP, DOWN, ALT, RND, MOVING This parameter is used to determine the succession of created not

Page 52 - DIGITAL Menu (DIGI)

Waldorf Edition User Manual 56 Waldorf  The setting 0 CENTS does not create a detuning effect, which can cause the signal to be out of phase.  T

Page 53 - TOUCH>WAVES ON, OFF

Waldorf Edition User Manual 57 Waldorf  SUB: The Pitch Bend wheel is used to only change the pitch of the sub oscillator. The main oscillator’s p

Page 54 - ARP ACTIVE ON, OFF

Waldorf Edition User Manual 58 Waldorf KEY>WAVES 0%...233% This parameter allows you to play different Waves of a Wavetable with different no-t

Page 55 - TUNING Menu (TUNE)

Waldorf Edition User Manual 59 Waldorf w To complete the picture, this parameter can also be found in the DIGITAL menu section. MOD>

Page 56 - ENV3>SUB ON, OFF

Waldorf Edition User Manual 6 Waldorf Waldorf Attack Percussion Synthesizer Introduction The Waldorf Attack offers a straightforward sound struct

Page 57 - MODULATION Menu (MOD)

Waldorf Edition User Manual 60 Waldorf  SUB: The Pitch Bend wheel is used to only change the pitch of the sub oscillator. The main oscillator’s pi

Page 58

Waldorf Edition User Manual 61 Waldorf  The AD Envelope 3 only has two parameters: ATTACK and DECAY.  ADSR Envelope 1 and 2 are structured ide

Page 59

Waldorf Edition User Manual 62 Waldorf ENV1 RELEASE 21 SEMITONE 6 53 ENV2 ATTACK 22 SEMITONE 7 54 ENV2 DECAY 23 SEMITONE 8 55 ENV2 SUSTAIN 24 KEY>

Page 60 - Graphical Editor (GRAPH)

Waldorf Edition User Manual 63 Waldorf D-Pole Filter Modul Introduction The Waldorf D-Pole is based on the filter algorithm used in the Waldorf M

Page 61 - Concluding Remarks

Waldorf Edition User Manual 64 Waldorf Content D-Pole Introduction ... 63 Using the D-Pole ...

Page 62

Waldorf Edition User Manual 65 Waldorf Using the D-Pole The D-Pole should be used as a so-called Insert Effect. Using this routing, the input si-gna

Page 63 - D-Pole Filter Modul

Waldorf Edition User Manual 66 Waldorf Importing VST or AudioUnit Presets into the corresponding plug-in format (Ma-cintosh only) VST and

Page 64 - Content D-Pole

Waldorf Edition User Manual 67 Waldorf Control Elements Using D-Pole’s controls is simple. There are two types: dials and switches. Dials To set a v

Page 65 - Using the D-Pole

Waldorf Edition User Manual 68 Waldorf Quick Start When you have set up D-Pole as a Channel, Insert or Master effect, read the following section to

Page 66

Waldorf Edition User Manual 69 Waldorf  Turn the Ring Mod dial to a value of 100.  Use the Osc Frequency dial to change the oscillator frequency

Page 67 - Control Elements

Waldorf Edition User Manual 7 Waldorf Content Attack Introduction ... 6 Using the Attack ..

Page 68 - Quick Start

Waldorf Edition User Manual 70 Waldorf  Activate the Reset switch to the right of D-Pole’s LFO block and wait for ca. 2 se-conds, then your sta

Page 69 - Der LFO, set to a slow speed

Waldorf Edition User Manual 71 Waldorf How a filter works What is a filter? In general a filter is used to dampen certain parts of the frequency ran

Page 70 - The Envelope Follower

Waldorf Edition User Manual 72 Waldorf Feedback A good filter has a built-in feedback feature. This allows you to feed the filtered signal back into

Page 71 - 0#1.&2&'#

Waldorf Edition User Manual 73 Waldorf The Controls in Detail The Filter block D-Pole’s Filter block covers the frequency range between DC

Page 72 - Filter types

Waldorf Edition User Manual 74 Waldorf Slope 12dB, 24dB This determines the filter slope and can be set to 12 dB or 24 dB per octave: Click on an “

Page 73 - The Controls in Detail

Waldorf Edition User Manual 75 Waldorf When used as a Channel effect: If you use D-Pole as a Channel effect, it is fed with a monophonic input signa

Page 74 - The Amplifier block (Amp)

Waldorf Edition User Manual 76 Waldorf sound, not unlike that of the first samplers that were released in the beginning of the 80s. If you set the S

Page 75 - The Sample Rate dial

Waldorf Edition User Manual 77 Waldorf w Please note that a slight temporal synchronization sets in, when the oscillator waveforms Trian

Page 76 - The Oscillator block (Osc)

Waldorf Edition User Manual 78 Waldorf Feedback -100%...100% This parameter controls feedback strength of the Delay.  Turn the Feedback dial to t

Page 77 - The Delay block

Waldorf Edition User Manual 79 Waldorf  Turn the Tempo dial to the left to set a slow tempo. If you set Tempo to 0, LFO Speed an

Page 78 - The Tempo dial

Waldorf Edition User Manual 8 Waldorf Using the Attack You can play the Attack via MIDI like any other instrument, and record what you pla

Page 79 - Decay 0...99.99999

Waldorf Edition User Manual 80 Waldorf The LFO block D-Pole’s LFO has a maximum frequency of more than 7000 Hz. It can modulate the filter and

Page 80 - The LFO block

Waldorf Edition User Manual 81 Waldorf  Turn the Cutoff Mod dial to a middle position to decrease Cutoff Modulation. At a setting of 0% the LFO st

Page 81 - Free and Reset Free, Reset

Waldorf Edition User Manual 82 Waldorf  As an alternative, activate two filters and spread the drum loop onto two different channels,

Page 82 - Tips & Tricks

Waldorf Edition User Manual 83 Waldorf EnvDecay 15 Filter Env. Decay Slope 41 Osc 2 Sync Type 54 Filter 1 Type Osc Shape 71 Wave 1 Startwave Osc Rou

Page 83

Waldorf Edition User Manual 84 Waldorf Glossary Aftertouch The majority of contemporary keyboards are capable of generating aftertouch mes

Page 84 - Glossary

Waldorf Edition User Manual 85 Waldorf ted when you use the corresponding dials, and can be recorded in your sequencer pro-gram. You can also graphi

Page 85

Waldorf Edition User Manual 86 Waldorf defined minimum level. In the field of analog synthesis, a Gate is a control signal, which can

Page 86 - MIDI Channel

Waldorf Edition User Manual 87 Waldorf MIDI Clock The MIDI Clock message determines the tempo of a piece of music. It serves to syn-chronize

Page 87

Waldorf Edition User Manual 88 Waldorf Trigger A trigger is a signal that activates events. Trigger signals are very diverse. For instance, a MIDI n

Page 88

Waldorf Edition User Manual 9 Waldorf You can save complete banks or single kits. For information on saving, please read the corresponding manual s

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